Eye Candy
Black Swan makes more sense now that I’ve seen more of Darren Aronofsky’s work. Requiem for a Dream (2000) explodes with so many visual pyrotechnics that it is hard to focus on anything else. The shots are beautifully composed: for an example, look at the circular frame of papers behind the characters in the shot [...]
Posted on January 16, 2011 at 6:54 pm by Victoria Olsen · Permalink
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In: contemporary, film · Tagged with: Black Swan, Darren Aronofsky, postaweek2011, Requiem for a Dream
In: contemporary, film · Tagged with: Black Swan, Darren Aronofsky, postaweek2011, Requiem for a Dream
New Endings
I’d like to inaugurate the new beginning of the year and my blog with a piece about endings. What follows is a new direction for me, but one that is continuous with my earlier readings of photographs. This year I will post short, essay-like reviews of films –some recent, some less so–that come out of [...]
Posted on January 8, 2011 at 11:12 pm by Victoria Olsen · Permalink
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In: contemporary, endings, film · Tagged with: Black Swan, Christopher Nolan, Coen Brothers, Darren Aronofsky, Inception, Martin Scorsese, postaweek2011, Robbie Robertson, The Last Waltz, True Grit
In: contemporary, endings, film · Tagged with: Black Swan, Christopher Nolan, Coen Brothers, Darren Aronofsky, Inception, Martin Scorsese, postaweek2011, Robbie Robertson, The Last Waltz, True Grit